Track 1 and 2 are performed by Lackerschmid’s actual formation with Ryan Carniaux, Stefan Rademacher and Guido May, which exists since 2014. The sound with trumpet and vibes, prominently established since 1979 through „Ballads For Two“ with Chet Baker, is expanded through the sophisticated, but groovy acoustic bass guitar and drums. The funky-swinging tune CLIMBING UP is implementing the title also through the ascending chord progression. Joni Mitchells Ballad BOTH SIDES NOW appears here in a touching instrumental version with a spaceful arrangement. 

Track 3 and 4 features singer Stefanie Schlesinger with two poems by the famous German lyricist Bertolt Brecht. As authorized Brecht-composer, Lackerschmid wrote those beautiful ballads, perfectly matching and expressing the lyrics. THE LITTLE ROSE includes Mark Soskin, Jay Anderson and Adam Nussbaum, at ERINNERUNG AN DIE MARIE A.the composer himself comps on piano. 

Track 5 SHOE IT YOURSELF is a danceable happy tune, recorded on tour with Ed Cherry, Cameron Brown and Karl Latham.

Track 6 and 7 were recorded in Duo with Donald Johnston. The classical compositions of J. S. Bach and Antonin Dvořák appear in real jazzy arrangements. BOURÉE FROM ENGLISH SUITE NO.2 virtuously with the adapted theme and improvisations, NEW WORLD SYMPHONY leads from a lively introduction to improvisations about the roots from traditional GOING HOME, which Dvořák used in his symphony.

Track 8 – 11 shows 4 originals with a quartet-formation from the early eighties. GIRL WITH THE BIRD is a very energetic tune, starting with a rocky introduction, leading to a fast latin groove where Lackerschmid also plays marimba, xylophone, timbales and percussion. PITZTAL DAYBREAK is a sweet romantic melody, written at sunrise in the mountains. It also features marimba in some parts. WATCH YOU SLEEPIN’ appears in a light and smooth brazilian mood. The melody Lackerschmid answers himself with a little line, played on ocarina and guitar. WHY SHOULDN’T YOU CRY was originally written for Chet Baker. Here’s the first version where the vibes play the melody. 

Track 12 LATINO BLUE is a previously unreleased track, produced 1979 for Joe Gallardo, features the vibes with the melody in front of an excellent Salsa-Jazz formation. 

Track 13 and 14 is from Lackerschmid’s first LP as leader, recorded 1977. BALZWALTZ, describing animals courtship, is a unique waltz with an imposing bass line. The tune was also recorded 2 years later in quintet with Chet Baker, Larry Coryell, Buster Williams and Tony Williams. WASSERBALL-ADE is a mysterious sounding composition where theme replaces a choir with 4 vibes tracks, played just with a cello bow. 

Track 15 is a recording from 1976, where Lackerschmid was part of Dieter Bihlmaier Selection. The quartet of the flute-player also impressed through the drummer, Gerhart Ziegler, who had only one arm. The title SCHMETTERLINGE is a pun, because it’s the german word for butterflies, but „schmettern“ means to belt out, which fits more to the kind of playing.

Track 16 KOSMUUS is a vibes solo improvisation from the same LP like track 15, using a big gong plus marimba and xylophone for the theme.